Have tools for the project on hand and placed at
workstations. Warm up:
Have the
students familiarize themselves with the tools in front of
them. Ask them to create as many different kinds of line as
they can with the tools available. Give them about 5
minutes, but be flexible depending on the group dynamic and
skill level.
Once their time is up, have them put their
solutions aside while you begin the presentation.
Introduction:
Use the projector to present an
outline/timeline of the workshop.
Discuss vocabulary and
explain the goals and process of the lesson to the students
so they know what to expect from the lesson.
Ask the
students to analyze and discuss the use of line, its
purpose, and its functionality during the presentation.
Show images including urban landscapes, maps, architecture,
wallcoverings, textiles, product design, graphic design, as
well as recognizable images like the ubiquitous UPC
symbol, road surface marking, a photo of a contrail, and
perhaps lines of a suspension bridge. Images of work in
which artists use line as a primary medium should
also be shown (i. e. Sol Lewitt).
Before you begin the main
assignment, take some time to reflect on what was
created during the warm up. Ask what the
students noticed about using the different tools and
their approach to the exercise. Encourage the use of some
new vocabulary during the discussion period.
Main
Assignment:
Step One: To be worked on
independently. What sound does a line make?
Use with
accompanied CD of sound waves and a range of sound clips,
both recognizable and abstract. Begin the CD. As
each sound plays, students create a line to represent that
sound, culminating in a layered composition of line. They
should be encouraged to use the material that best suits
the sound they hear, and their line should express the
personality of the sound.
Presentation, Discussion:
Students present material and discuss the challenges,
obstacles and enjoyment in the process.
Step Two: To be
worked on independently. Students choose their favorite
line solutions from step one and combine them together to
create a motif.
Step Three: To be worked on in small
groups of 3-5.
Students use their individual motifs to
create a collaborative design pattern for wallcovering and
furnishings.
Demonstrate by showing a selection of relevant
slides from the museum collection.
Presentation and
Discussion: Students present material and discuss the
challenges, obstacles and enjoyment in the process.
Q&
A: Students are invited to ask questions and the instructor
should use the following sample questions to engage
students in dialogue.
- What are the limitations of line?
- How
can line evoke concept, idea, emotion, or personality?
- What
else could be created using line?