Have tools for the project on hand and placed at
workstations.
Warm up:
Have the
students familiarize themselves with the tools in front of
them. Ask them to create as many different kinds of line as
they can with the tools available. Give them about 5
minutes, but be flexible depending on the group dynamic and
skill level.
Once their time is up, have them put their
solutions aside while you begin the presentation.
Introduction:
Use the projector to present an
outline/timeline of the workshop.
Discuss vocabulary and
explain the goals and process of the lesson to the students
so they know what to expect from the lesson.
Ask the
students to analyze and discuss the use of line, its
purpose, and its functionality during the presentation.
Show images including urban landscapes, maps, architecture,
wallcoverings, textiles, product design, graphic design, as
well as recognizable images like the ubiquitous
UPC symbol, road surface marking, a photo
of a contrail, and perhaps lines of a suspension bridge.
Images of work in which artists use line as a primary
medium should also be shown (i. e. Sol Lewitt).
Before you begin the main assignment, take some time to
reflect on what was created during the warm
up. Ask what the students noticed about using
the different tools and their approach to the exercise.
Encourage the use of some new vocabulary during the
discussion period.
Main Assignment:
Step One: To
be worked on independently. What sound does a line
make?
Use with accompanied CD of sound waves and a
range of sound clips, both recognizable and abstract. Begin
the CD. As each sound plays, students create a line
to represent that sound, culminating in a layered
composition of line. They should be encouraged to use the
material that best suits the sound they hear, and their
line should express the personality of the sound.
Presentation, Discussion: Students present material and
discuss the challenges, obstacles and enjoyment in the
process.
Step Two: To be worked on independently. Students
choose their favorite line solutions from step one and
combine them together to create a motif.
Step
Three: To be worked on in small groups of 3-5.
Students use their individual motifs to create a
collaborative design pattern for wallcovering and
furnishings.
Demonstrate by showing a selection of relevant
slides from the museum collection.
Presentation and
Discussion: Students present material and discuss the
challenges, obstacles and enjoyment in the process.
Q&
A: Students are invited to ask questions and the instructor
should use the following sample questions to engage
students in dialogue.
- What are the limitations of line?
- How
can line evoke concept, idea, emotion, or personality?
- What
else could be created using line?